Selected works, listed by date of composition.


İnsansız Dağlık Şehirler Üzerinde Yankılanan Şarkılar (2017-2022)
(Songs Echoing over Mountainous Cities with No People)
for duduk, bass clarinet, string quartet, piano and percussion
Recorded by Hezarfen Ensemble with no concert performance (2017)
Final version to be premiered in December 2022

Geçmişe doğru, ağırlaşarak(2022)
for kanun and piano
to be premiered by Kanun & Piano Duo at Borusan Müzik Evi (2022)

İçteki Semai (2021)
for ney, kanun, tanbur, violin and violoncello
Performed by Anadolu Çağdaş Müzik Topluluğu (2021)

Detritus, Acheron (2021)
(for ten guitars and electronic effects)
Performed and recorded by me, released in the album “Tahkir”

Hatalı Soyutlamalar I-II-III (2020)
I – Kök (for two guitars)
II – Söğütler (for two bass guitars, one guitar and electronic effects)
III – Meşeler (for solo guitar and electronic effects)
Performed and recorded by me, released in the album “Tahkir”

Fraktis (Music for dance theater ‘Andan Daha Kısa’) (2020)
Music in three parts, for piano, orchestra and electronics
Performance/screening of “Andan Daha Kısa/Less Than no Time” took place in October 2020 at Üsküdar Kerem Yılmazer Sahnesi and during The 24th Istanbul Theatre Festival by organized by IKSV in November-December 2020.

A Pulse After The Machine Has Stopped (2017-2020)
for two electric guitars and electronics
(A previous version was performed with the title “A Pulse as The Machine Stops”, by Enis Gümüş, Aslı Kobaner and Fulya Uçanok) Performed and recorded by me and Aslı Kobaner, released in the album “Tahkir”

Terraforming (2019)
for live electronics

The earth falls to the ground (2018)
for soprano voice and alto saxophone
Performed by:
Sara Moreira Marques (soprano) and Sarah Wünsche (alto saxophone) (2018)
Deniz Güngören (Voice) and Bera Romairone (alto saxophone) (2020)

Semai in Semai (2017)
for microtonal guitar Quartet
Performed by:
Tolgahan Çoğulu, Tufan Kurdoğlu, Adrian Lieb, Silas Bischoff (2017, Würzburg)
Aydin Pfeiffer, Vojtech Jelinek, Silas Bischoff, Eduard Hausauer (2019, Florence)

Best Ignored (2017)
for live electronics

Al-Kindi (2017)
for 5 string guitar
on Al-Kindi’s our frets from 9th century

The Reward (2015)
(afl, eh, mar, pf, v, va, db)
Performed by Eendagsliedereen musicians

For Mortals, in Ten Thousand Streams (2015)
(fl, cl, perc, 2vl, vla, vlc)
Performed by Hezarfen Ensemble (2017)
Released in the album “In Ten Thousand Streams”

The Hymn (2015)
(On Le Guin’s “The Dispossessed”) for guitar

Brackets on the River (2014)
(string quartet, perc, pf)
Performed by Hezarfen Ensemble

Gazel (2014)
(fl, cl, tbn, pf, vl, vla, vlc)
Performed by Ensemble Garage
Released in the album “In Ten Thousand Streams”

Gönüllü Ölü (2014)
for tenor, alt-sax. and piano
Performed by Eendagsliedereen musicians

J’ai tendu des cordes de clocher a clocher (2013)
for countertenor and piano

Lethe… verloren tijd (2012)
(vl, vcl, perc, piano)

Detritus, Lethe (2012)
Electroacoustic composition
Released in the album “In Ten Thousand Streams”

Alienate. (2012)
(fl, ob, cl, mandolin, guitar, hrp, pf, perc, vl, vla, vlc, db)
Performed by Nieuw Ensemble
Released in the album “In Ten Thousand Streams”

Earthen Books and Petrichor(2012)
(2ob, 2cl, 2bhn, 4hn, 2bsn, db)
Performed by Nederlands Blazers Ensemble
Released in the album “In Ten Thousand Streams”

From the Realm of Necessity to the Realm of Freedom (2011)
for tape

Creating Unnecessary Troubles Over Non-Existing Whatevers (2011)
(ob, cl, tpt, perc, pf, vla, vlc)
Performed by Asko|Schönberg
Released in the album “In Ten Thousand Streams”

Başına Bağlamış Astar’dan (2010)
for kanun and piano

Başına Bağlamış Astar (2009)
for clarinet, kanun, violin and violoncello